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Literature Text
Thirty-two days to go.
It wasn't life this time. He should have gotten life in the clink, but somehow, he'd talked his way through another maelstrom of half-truths and accusations. Getting off the hook was simple. With another trial behind him, he wonders why and how jails still remain full.
It's too damn easy, he thinks with a smirk. A raindrop falls across his head. Its partners splatter across the grime of the floor- a testament to his three months of misery.
The rain dripping across his face and down his greasy ponytail is the remnants from last night's storm. The leaks often trickled down from the flat rooftop of the pen and down through to the sixth floor cells- the minimum security ones.
Concrete chips and broken glass filtered down through the cracks as well. They ran within the pools of browned water through the bars of his cell on the worst nights.
Handcuffs and manacles click outside the whitewashed, bare cell. The rustle of uniforms, bark of turnkeys and the scuffle of boots across the floor- somebody is being moved. Moved or released.
His ears brush the bare flaked steel of the bunk, fingers drumming out a street beat across the bare wet surface.
It isn't life this time.
He can be thankful for at least that. The beat rolls out across his tender fingertips and rough, callused palms, steady and firm. Through the lock-up and the trial, he hasn't lost his touch, despite losing his sticks, drum, and his place in the line. The two-step tango would be leaving without him this time. Every battalion had marched out this morning with the band.
None of the squad had visited him once. Three days ago, he'd been awakened to the harsh roll of a cadence.
He stands, grinning slightly despite the cold and the damp. His cot creaks as he crosses the eight-foot wide room to the bare wall. There's a sliver there, a piece of glass picked up from a brawl in the cafeteria a week ago. It serves as a mirror.
The face that appears is sharp and angular- the visage of a predator. A whip-thin body stands perfectly straight at parade-rest, dressed in the billowing fabric of a torn prisoner's uniform. It hangs awkwardly across his bony shoulders.
The greasy ponytail that drops across his face is black and unkempt. It had once been buzzed short.
He leers at the grotesque figure. His fingers grasp for the shard.
Lift it.
Shatter it against the dirt across the floor.
He's still been tapping the street beat against his leg. He can't stop himself. It changes, to a slow gliding march; a slow march, a dirge.
Taps rings out in his head, clear and crisp and mournful. The trill of the pipes and the dull thud of the drums echo through his head as rank after rank of statues present arms as one body, one motion.
The symbolism is obvious to him. The unit has marched on and left him to rot and run in their footsteps. While they may regret, they will soon forget.
He falls to the bed. He isn't sure if he's sorry, but he is sure it will happen again. Light hands and soft words are in his nature to give.
All that remains of his worldly possessions lie at his feet. A medal of service, tarnished and rust-festooned. The double-stripes of a drum corporal, ripped from his coat. A pair of sticks- his first, in fact.
He drops to the grime and snatches them up. They quiver in his hands, alive, anticipating. His fingers trace every whirl, every dent and ding and scratch along their length.
He thinks he knows what he can do. It's humble, simple, and low, but it's a way forward when the turnkeys come for him. If the uniform won't have his sticks, the street might.
He smiles- a genuine one, not a leer, and leans against the wall of his abused cell as taps rings out across the city from the place d'armes.
Thirty-one days to go.
It wasn't life this time. He should have gotten life in the clink, but somehow, he'd talked his way through another maelstrom of half-truths and accusations. Getting off the hook was simple. With another trial behind him, he wonders why and how jails still remain full.
It's too damn easy, he thinks with a smirk. A raindrop falls across his head. Its partners splatter across the grime of the floor- a testament to his three months of misery.
The rain dripping across his face and down his greasy ponytail is the remnants from last night's storm. The leaks often trickled down from the flat rooftop of the pen and down through to the sixth floor cells- the minimum security ones.
Concrete chips and broken glass filtered down through the cracks as well. They ran within the pools of browned water through the bars of his cell on the worst nights.
Handcuffs and manacles click outside the whitewashed, bare cell. The rustle of uniforms, bark of turnkeys and the scuffle of boots across the floor- somebody is being moved. Moved or released.
His ears brush the bare flaked steel of the bunk, fingers drumming out a street beat across the bare wet surface.
It isn't life this time.
He can be thankful for at least that. The beat rolls out across his tender fingertips and rough, callused palms, steady and firm. Through the lock-up and the trial, he hasn't lost his touch, despite losing his sticks, drum, and his place in the line. The two-step tango would be leaving without him this time. Every battalion had marched out this morning with the band.
None of the squad had visited him once. Three days ago, he'd been awakened to the harsh roll of a cadence.
He stands, grinning slightly despite the cold and the damp. His cot creaks as he crosses the eight-foot wide room to the bare wall. There's a sliver there, a piece of glass picked up from a brawl in the cafeteria a week ago. It serves as a mirror.
The face that appears is sharp and angular- the visage of a predator. A whip-thin body stands perfectly straight at parade-rest, dressed in the billowing fabric of a torn prisoner's uniform. It hangs awkwardly across his bony shoulders.
The greasy ponytail that drops across his face is black and unkempt. It had once been buzzed short.
He leers at the grotesque figure. His fingers grasp for the shard.
Lift it.
Shatter it against the dirt across the floor.
He's still been tapping the street beat against his leg. He can't stop himself. It changes, to a slow gliding march; a slow march, a dirge.
Taps rings out in his head, clear and crisp and mournful. The trill of the pipes and the dull thud of the drums echo through his head as rank after rank of statues present arms as one body, one motion.
The symbolism is obvious to him. The unit has marched on and left him to rot and run in their footsteps. While they may regret, they will soon forget.
He falls to the bed. He isn't sure if he's sorry, but he is sure it will happen again. Light hands and soft words are in his nature to give.
All that remains of his worldly possessions lie at his feet. A medal of service, tarnished and rust-festooned. The double-stripes of a drum corporal, ripped from his coat. A pair of sticks- his first, in fact.
He drops to the grime and snatches them up. They quiver in his hands, alive, anticipating. His fingers trace every whirl, every dent and ding and scratch along their length.
He thinks he knows what he can do. It's humble, simple, and low, but it's a way forward when the turnkeys come for him. If the uniform won't have his sticks, the street might.
He smiles- a genuine one, not a leer, and leans against the wall of his abused cell as taps rings out across the city from the place d'armes.
Thirty-one days to go.
Literature
Oholibamah: Girl
Please be a girl.
So I can dress you up and style your hair.
So I can have small helping hands.
So I can have a companion
in this man's world
to talk to and share with
all the wisdom and beauty of womanhood.
I want you to know the wonder
of living in a woman's body,
of carrying the potential for creating life.
I want you to be free
to show your emotions,
to cry sometimes, to be weak,
which they wouldn't let you
if you were a boy.
Please don't be a girl.
Because they will forget your name.
They won't count you
in their genealogy lists.
They won't value you
the same as your brothers.
I don't want you to suffer
as so many of us have done,
to be
Literature
that girl named Sarah
how could I forget you?
It would be like the diamond forgetting the concrete which pressed it into luminescence;
like a butterfly forgetting the cocoon in which metamorphisized;
or like a star denying the sovereignty of its motherly galaxy--
How could I forget you?
No matter where we go from here,
Or what your image in my head may fade or smudge into,
or how incoincided my memory of you from the actual you may become,
or how your name may dissipate from my memory,
or what may come next in your divinely authored biography,
or which people your narrative may bring you with interlockingly,
how could I forget that pale g
Literature
The 'Cat' Girl Part 2
It's been three months since Justin and Rose confessed there love for each other. They've happily continued to go out and grow ever closer to one another. Justin has been happier than ever before and his classmates have come to notice this change. He is taking his classes much more seriously and has become a top student in his class right along with Rose. He has also become a person o which everyone seeks for advice or friendship. Everything is going well for this cute couple. Rose continues to be her happy, caring self, and continues to wear her cat ears. However, both of their lives are about to take a drastic turn. It was the last day
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A Washed Out sketch I actually forgot to post. It's short and sweet. This one was interesting to write; I am part of a drum corps, so it was cool to include my experience of such groups in this piece.
For those who don't know what 'taps' is, it is a drum piece played at the end of a day's duties to signal that the work day was over by the drum corps of a regiment. Traditionally, it is also played at funerals.
For those who don't know what 'taps' is, it is a drum piece played at the end of a day's duties to signal that the work day was over by the drum corps of a regiment. Traditionally, it is also played at funerals.
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As always- stunning.